Ysaÿe - Sonata for solo violin in E major, Op. 27 No. 6
Genres:
Chamber » Sonatas » Violin Sonatas
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Her tone is rich and beautiful, never losing its beauty in double and triple stops. Her technique is astonishing without being the primary focus at any given moment. She is exceptionally lyrical... — More…
Awards:
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Presto Recording of the Week, 21st July 2023
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Gramophone Magazine, August 2023, Recording of the Month
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Presto Recordings of the Year, Finalist 2023
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International Classical Music Awards, 2024, Winner - Solo Instrument
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Opus Klassik Awards, 2024, Winner - Solo Instrumental Recording of the Year
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Gramophone Awards, 2024, Finalist - Instrumental
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Ehnes’s breathtaking virtuosity is subsumed entirely into the musicality of these performances, bubbling to the surface only for passages such as the swashbuckling defiance that concludes the... — More…
Awards:
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Gramophone Magazine, June 2021, Editor's Choice
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Gramophone Awards, 2022, Winner - Instrumental
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she's up there with the best...there's much of the tonal and dynamic palette that this music needs, characterising the forceful and passionate, as well as the shadowy and understated. She has... — More…
Awards:
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Gramophone Magazine, July 2015, Disc of the Month
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Presto Recordings of the Year, Finalist 2015
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Gramophone Awards, 2016, Shortlisted - Instrumental
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As to where Kerson Leong stands in the comparative stakes, fairly near the top, that’s for sure – his version could be a happy first choice for any discerning listener. — More…
Awards:
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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This is sensational!...at no point in the programme do you feel that the technical and intellectual demands are in any way compromising her interpretations, which are wholly excellent. — More…
Awards:
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Gramophone Magazine, September 2021, Recording of the Month
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Gramophone Awards, 2022, Shortlisted - Instrumental
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Weithaas’s bewitching ability to make the violin ‘sing’ whatever the technical pressures involved reaches its apex in Ysaÿe’s one-movement Sixth Sonata…[and] embraces the opening Allemande [of... — More…
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Whatever the technical pressures involved, Liebeck maintains his characteristically velvety warmth of sound, gently cushioning any percussive outbursts and segueing between musical events with... — More…
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Her tone is admirably full and she paces the music knowingly, the opening of the First Sonata especially...For the Second Sonata SteinŠórsdóttir integrates the Bachian and Dies irae motifs well... — More…
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