Scarlatti, A - Salve Regina
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The interweaving voices produce an attractive juxtaposition of density and transparency. Texts are declaimed crisply yet sensitively, melismatic vowels possess compassionate luminosity, and... — More…
Awards:
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Gramophone Magazine, January 2017, Editor's Choice
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Gramophone Awards, 2017, Shortlisted - Baroque Vocal
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Scarlatti: Messa Clementina
Le Parnasse français and Louis Castelain, Louis Castelain, Le Parnasse français
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Ave Virgo Gloriosa
Marian Music from the Renaissance to the Baroque
Vox Poetica Ensemble, Nova Alta, Sabino Manzo
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Musicke Companye: O Bone Jesu
Philippa Hyde (soprano), Paul Esswood (counter-tenor), Jennifer Janse (cello), Helen Rogers (organ)
Musicke Companye
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A Scarlatti: Salve Regina, Vivaldi: Stabat Mater & Concertos for Strings
Jeanne Lamon, Marie-Nicole Lemieux, Tafelmusik Orchestra
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Alessandro Scarlatti: Stabat Mater
Gérard Lesne/Sandrine Piau/Jean-François Novelli/Il Seminario Musicale, Sandrine Piau/Gérard Lesne/Il Seminario Musicale, Pascal Monteilhet (lute), Blandine Rannou (harpsichord), Jean-Charles Ablitzer (organ), Richard Myron (violin), Jean-François Novelli (tenor vocals), Sandrine Piau (soprano vocals),...
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Scarlatti, A: Cecilian Vespers, etc.
Susanne Rydén and Dominique Labelle (sopranos), Ryland Angel (countertenor), Michael Slattery (tenor), Neal Davies (baritone/chanteur)
Philharmonia Baroque Ensemble, Philharmonia Chorale, Nicholas McGegan
Scarlatti's Vespers were composed for a service at the Roman church of Santa Cecilia in Trastevere in 1721. He was in his sixties by then, his music out of fashion, and one can sense that with... — More…
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