Monteverdi - Mentre vaga Angioletta, SV 157
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Monteverdi: Il ottavo libro de madrigali, 1638 'Madrigali guerrieri et amorosi'
RecommendedConcerto Italiano, Rinaldo Alessandrini
This is a sublime example of the madrigalian art. The disc oozes a sense of intelligent poetic response. — More…
Awards:
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Gramophone Awards, 2007, Finalist - Baroque Vocal
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Penguin Guide, Rosette
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Monteverdi: Il ottavo libro de madrigali, 1638 'Madrigali guerrieri et amorosi'
RecommendedMusicke Instrumental Consort Ensemble, Anthony Rooley
Awards:
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Building a Library, October 2000, First Choice
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Amore e morte dell’amore
Duets by Monteverdi, Marcello, Handel, Scarlatti, Lotti, Durante
Roberta Invernizzi (soprano), Sonia Prina (contralto) & Luca Pianca (lute, conductor)
Throughout the disc the continuo battery of Ensemble Claudiana provides colourful support...But the disc belongs to Invernizzi and Prina, who aptly cap a feast of glorious Handelian virtuosity. — More…
Awards:
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Gramophone Magazine, October 2013, Editor's Choice
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Monteverdi: Il ottavo libro de madrigali, 1638 'Madrigali guerrieri et amorosi'
RecommendedLa Venexiana
In their Monteverdi Editions, La Venexiana bring a dramatic delivery of the words and a uniquely Italian blend of solo voices to this glorious music, unrivalled on disc. — More…
Awards:
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Building a Library, May 2009, First Choice
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CD
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Special offer. Monteverdi: Il Combattimento di Tancredi e Clorinda
Madrigals from books 6, 7 & 8
Les Arts Florissants, William Christie
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CD
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Monteverdi: Arie et Lamenti; Madrigali Guerrieri et Amorosi
Montserrat Figueras (soprano), with Jordi Savall, with Ton Koopman
La Capella Reial de Catalunya, Jordi Savall
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Monteverdi: Il Combattimento di Tancredi e Clorinda, SV 153
Ensemble Symphonia Perusina, Sandro Volta
CD
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Monteverdi - Madrigali erotici
Emma Kirkby, Judith Nelson, Poppy Holdon (soprano), Paul Elliott, Andrew King (tenors), Richard Wistreich (baritone) & David Thomas (bass)
The Consort of Musicke, Anthony Rooley
Most of the madrigals on this CD come from the Seventh Book of 1619, very much a watershed in Monteverdi’s output. In many instances they are for virtuoso singers and make a break with the past... — More…
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