Angela Hewitt Beethoven
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Angela Hewitt is on characteristic top form in three of Beethoven’s iconic sonatas … Hewitt’s intelligent planning gives it [Pathétique] a hardcore makeover. The extremes of dynamic range are... — More…
Awards:
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Building a Library, March 2016, Also Recommended
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The opening Allegretto ma non troppo of Sonata No. 28 in A, Op. 101 finds her in suitably reflective mood...It's in the Finale, however, where this performance takes off...Here, her long-term... — More…
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Here is a stimulating well-contrasted programme. Each sonata benefits from Angela Hewitt's beautifully clean-cut pianistic commant, in which every score marking is placed within a precisely... — More…
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...the spotlight is on the Moonlight, and Hewitt's performance is totally riveting. Adopting a flowing yet sustained tempo for the opening movement, she creates a beautifully veiled and hypnotic... — More…
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Hewitt likes to guide her listener, demonstrating this point and that, which can distract… As you might expect, her way with the fingery textures of the first movement [of the Waldstein] is... — More…
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Angela Hewitt’s latest Beethoven recording comes with her customary intelligence and scrupulous attention to detail…her gently trotting minuet (its theme later cropped up in Beethoven’s popular... — More…
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As we would expect from Angela Hewitt, there’s much thoughtful and deeply-felt playing here. Hewitt is particularly successful in Beethoven’s slow movements. — More…
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Every bit as intellectually lucid, technically secure and focussed, as her Bach … this exhilarating clarity of thought is matched by her clean incisive sound (well caught by the recording),... — More…
Awards:
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Gramophone Magazine, November 2006, Editor's Choice
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