Name: Romantic French Horn Quartets
Price: 21.25 USD
Availability: BackOrder

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Release Date: 30th Mar 2015
Catalogue No: VKJK1412
Label: Querstand
Length: 57 minutes

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Homilius, C: Quartett für vier Waldhörner in B-Flat Major, Op. 38

Work length10:12

Max Hilpert, Tino Bölk, Johannes Winkler, Michael Gühne
Leipziger Hornquartett

I. Alla marcia

Track length4:10

II. Andante

Track length3:38

III. Presto

Track length2:24

Homilius, C: Le rendez-vous de chasse, Fantasie für vier Hörner in D Major

Work length4:33

Max Hilpert, Tino Bölk, Johannes Winkler, Michael Gühne
Leipziger Hornquartett

Antonio Richter: Six Pieces für vier Jagdhörner

Work length7:14

Max Hilpert, Tino Bölk, Johannes Winkler, Michael Gühne
Leipziger Hornquartett

No. 1, Andante

Track length1:03

No. 2, Allegro assai - Scherzando

Track length0:51

No. 3, Tempo de marcia

Track length1:00

No. 4, Allegro ma non troppo

Track length0:49

No. 5, Adagio

Track length2:06

No. 6, Allegretto grazioso

Track length1:25

Lutgen: Quartett für vier Waldhörner in E-Flat Major, Op. 19

Work length12:12

Max Hilpert, Tino Bölk, Johannes Winkler, Michael Gühne
Leipziger Hornquartett

I. Poco adagio - Marcia

Track length3:16

II. Larghetto - Allegro vivace assai

Track length3:21

III. Romance. Poco adagio

Track length2:18

IV. Alla Pollacca - Monore - Maggiore

Track length3:17

Rimsky Korsakov: Notturno für vier Hörner

Work length2:35

Max Hilpert, Tino Bölk, Johannes Winkler, Michael Gühne
Leipziger Hornquartett

Jaques-Francois Gallay: Grand Quatuor für vier Hörner in verschiedenen Stimmungen, Op. 26

Work length16:24

Max Hilpert, Tino Bölk, Johannes Winkler, Michael Gühne
Leipziger Hornquartett

I. Allegro con brio a risoluto

Track length6:53

II. Andante con moto

Track length6:14

III. Scherzo. Presto

Track length3:17

Jaques-Francois Gallay: Grand Quatuor für vier Hörner in verschiedenen Stimmungen: IV. Finale. Vivace

Work length4:39

Max Hilpert, Tino Bölk, Johannes Winkler, Michael Gühne
Leipziger Hornquartett

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About

In 1784, the established music scholar and composer Christian Friedrich Daniel Schubart within his famous writing “Ideen zu einer Ästhetik der Tonkunst” calls the French horn a “celestial instrument”, which during the 18th century (as well as the trumpet) gained – despite technical deficiency – a strong position within musical practice. During the era of romanticism the instrument remarkably developed and established a unique position within the concert repertory as well as in the sphere of opera and chamber music. Musical highlights of this era are presented by the renowned Leipziger Hornquartett which, founded in 1951, is the oldest still active French horn quartet in the world.

In front of different stylistic and geographical backgrounds Constantin Homilius, Gioachino Rossini, Antonio Richter, Wilhelm Albrecht Lütgen, Nikolai Rimski-Korsakow and Jacques-François Gallay set their unique sound worlds dealing with the technical possibilities of the French horn of their times and thus challenging and furthering the development of its technical standard. This kind of literature represents a great opportunity for the Leipziger Hornquartett to prove once more its unique and celebrated musical quality.

Romantic French Horn Quartets

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