Westergaard: Moby Dick
Robert Baker (tenor), Douglas Millar (bass-baritone), David Kellett (tenor), William Parcher (baritone), Todd Thomas (baritone)
Philadelphia Chamber Orchestra, Philadelphia Chamber Chorus, Michael Pratt
I do not hesitate to proclaim this one of the finest, most effective operas to be composed in the last 50 years —
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Westergaard: Part I
- Chamber Orchestra of Philadelphia
- Michael Pratt
How It Began: Prologue
How It Began: Scene 1: Signing On
How It Began: Scene 2: The Quater Deck
Westergaard: Part II
- Chamber Orchestra of Philadelphia
- Michael Pratt
The Business We Follow: Stubb Kills A Whale
The Business We Follow: Cutting In And Trying Out
Westergaard: Part III
- Chamber Orchestra of Philadelphia
- Michael Pratt
Three Dialogues: The Parsee Tells Ahab The Condition Of His Death
Three Dialogues: Ahab And The Blacksmith Forge A Harpoon
Three Dialogues: The Symphony
Westergaard: Part IV
- Chamber Orchestra of Philadelphia
- Michael Pratt
The Way It Ended: Scene 8: The Chase: The First Day
The Way It Ended: Scene 9: The Chase: The Second Day
The Way It Ended: Scene 10: The Chase The Third Day
The Way It Ended: Epilogue