Unitel Editions
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Richard Wagner: Die Walküre
Anja Kampe (Brünnhilde), Michael Volle (Wotan), Robert Watson (Siegmund), Vida Miknevičiūtė (Sieglinde), Claudia Mahnke (Fricka), Mika Kares (Hunding)
Staatskapelle Berlin, Christian Thielemann, Dmitri Tcherniakov
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the fall of Tobias Moretti’s Everyman is all the more affecting for his initial suavity...It is Caroline Peters, however, as the Paramour, who almost steals the show from Moretti thanks both... — More…
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Coppel-I.a
Lou Beyne, Matej Urban, Anna Blackwell, Simone Tribuna, Mimoza Koike, Lennart Radtke, Les Ballets de Monte-Carlo, Jean-Christophe Maillot
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Prokofiev: The Fiery Angel
Ausrine Stundyte (Renata), Bo Skovhus (Ruprecht), Natascha Petrinsky (Hostess/Abbess), Elena Zaremba (Fortune-Teller), Nikolai Schukoff (Agrippa von Nettesheim/Mephistopheles)
ORF Radio-Symphonieorchester Wien, Arnold Schoenberg Chor, Constantin Trinks, Andrea Breth
With both the setting and aspects of the story radically altered, the opera becomes even darker and more powerful...Aušrinė Stundytė has in recent years made the role of Renate her own; and... — More…
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Beethoven Triple Concerto & Bruckner: Symphony No. 9
Anne-Sophie Mutter (violin), Yo-Yo Ma (cello), Daniel Barenboim (piano/conductor), West-Eastern Divan Orchestra
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Massenet: Thaïs
Nicole Chevalier (Thaïs), Josef Wagner (Athanaël), ORF Radio-Symphonieorchester Wien, Leo Hussain
Arnold Schoenberg Chor
Nicole Chevalier is a superb actress and camps up the glamourpuss courtesan well...Wagner is a very good Athanaël, full of zealous fire, firmly sung. — More…
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Tchaikovsky: Pique Dame ('The Queen of Spades')
from the Salzburg Festival, Grosses Festspielhaus, August 2018
Brandon Jovanovich (Hermann), Evgenia Muraveva (Lisa), Vladislav Sulimsky (Count Tomsky / Plutus), Igor Golovatenko (Prince Yeletsky), Hanna Schwarz (Countess)
Wiener Staatsopernchor, Wiener Philharmoniker, Mariss Jansons (conductor)
[Jovanovich has] a substantial lyric tenor with the capacity to be lyrical or heroic according to need, and the ability to cut through pretty well any texture. Nevertheless, with a tone that... — More…
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the fall of Tobias Moretti’s Everyman is all the more affecting for his initial suavity…It is Caroline Peters, however, as the Paramour, who almost steals the show from Moretti thanks both to... — More…
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Prokofiev: The Fiery Angel
Ausrine Stundyte (Renata), Bo Skovhus (Ruprecht), Natascha Petrinsky (Hostess/Abbess), Elena Zaremba (Fortune-Teller), Nikolai Schukoff (Agrippa von Nettesheim/Mephistopheles)
ORF Radio-Symphonieorchester Wien, Arnold Schoenberg Chor, Constantin Trinks, Andrea Breth
With both the setting and aspects of the story radically altered, the opera becomes even darker and more powerful...Aušrinė Stundytė has in recent years made the role of Renate her own; and... — More…
