Owen Rees
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The recording opens with Monteverdi’s Cantate Domino. It gets a captivating and sprightly presentation from the choir, accompanied by chamber organ and lute. — More…
Awards:
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Gramophone Magazine, September 2024, Editor's Choice
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How Are the Mighty Fallen: Choral Music By Giovanni Bononcini
Rowan Pierce, Esther Lay, Helen Charlston, Guy Cutting
Concise choruses are sung with a sure sense of harmonic shaping and immaculate diction, although Bononcini’s setting concentrates primarily on movements designed for soloists. — More…
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Contrapunctus really knows what to do with these pieces and from the very first item...the tuning is superb and the ensemble rock solid. Moreover, Owen Rees's interpretations are revelatory... — More…
Awards:
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Sunday Times, 2015, Albums of the Year
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BBC Music Magazine, August 2015, Choral & Song Choice
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Gramophone Magazine, May 2015, Editor's Choice
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Presto Recordings of the Year, Finalist 2015
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The Sweetest Songs: Music from the Baldwin Partbooks III
Alice Hulett, Ruth Provost, David Gould
Contrapunctus, Owen Rees
They are in cracking form here, with no discernible weak link in the ensemble: honey-toned and purposeful sopranos, assertive countertenors and everything on down to match. — More…
Awards:
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Gramophone Magazine, May 2021, Editor's Choice
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Gramophone Awards, 2021, Shortlisted - Early Music
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Coming soon. That Sweet City
Leighton: Veris gratia and Vaughan Williams: An Oxford Elegy
Rowan Atkinson (narrator), Nick Pritchard (tenor), Britten Sinfonia, Choir of the Queen's College Oxford, Owen Rees,
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The ‘reconstitution’ of Tallis Libera nos as a brief choral work is very effective and the inclusion of the rich music of the 17th-century recusant Peerson is a welcome revelation… The singing... — More…
Awards:
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Gramophone Awards, 2014, Shortlisted - Early Music
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Signum Digital Sampler
James Rhodes (piano), Matthew Barley (cello), Llŷr Williams (piano), Julian Bliss (clarinet), Miah Persson (soprano), Tamsin Waley-Cohen (violin), David Goode (organ)
Charivari Agreable, Chapelle du Roi, Vasari Singers, Philharmonia Orchestra, Gabrieli Consort and Players, Wroclaw Philharmonic...
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Paradisi Portas: Music from 17th Century Portugal
Tom Wilkinson (organ)
The Choir of the Queen's College Oxford, Owen Rees
The Choir of Queen's College clearly relish singing the music… Rees is not afraid to have the entire choir sing the chant… and the choral blend is excellent. — More…
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Bednall: Welcome All Wonders: A Christmas Cantata
The Choir of The Queen's College, Oxford, Owen Rees (director)
Bednall’s work makes a bright, immediate impression, the idiom, accessible without being superficial. — More…
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