Lehmann, L
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Newby, who turns 30 this year, has the kind of powerful natural presence that also belongs to Bryn Terfel, and the timbre of his voice has come to resemble Terfel’s in its plummy warmth and... — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Vocal Music
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The Discovery Recitals - Jette Parker Young Artists
Francesca Chiejina (soprano), David Shipley (bass), Ashley Riches (baritone), David Junghoon Kim (tenor), Hanna Hipp (mezzo), Luís Gomes (tenor), Kiandra Howarth (soprano)
An excellent showcase of the Royal Opera House’s brightest young artists. Soprano Francesca Chiejina’s opening Crumb Three Early Songs are a particular highlight. — More…
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Johnson's full, lustrous tone and floating higher notes, decidedly unlike today's typical 'English' tenor, suit this repertoire well. With James Baillieu's strong if unobtrusive support, he... — More…
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The whimsical performance of Charles Ives’s ‘The Children’s Hour’ which opens the recital sets high standards of interpretation, John’s mellifluous singing offset by Vann’s tenderly undulating... — More…
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The McCormack Edition Volume 2
Acoustic Recordings (1910-11)
John McCormack (tenor) with Mario Sammarco, Emmy Destinn, Nellie Melba & Edna Thornton
Victor Orchestra & New Symphony Orchestra, Sir Landon Ronald & Percy Pitt
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The McCormack Edition Volume 5
The Acoustic Recordings (1914-1915)
John McCormack (tenor) with Fritz Kreisler, violin, Vincent O’Brien, piano (tracks 1, 2), Francis Lapitino, harp (track 3), Rosario Bourdon, cello (track 4), Lucrezia Bori, soprano (tracks 17, 18, 19), Lucy Isabelle Marsh, soprano (track 20), Josephine Jacoby, contralto (track 17), Harry Macdonough,...
McCormack was a strong lyrical tenor with a clean edge to the voice…. A particular quality is the way he can hold on to a final note and let it gently die without any touch of aural instability.... — More…
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In Praise of Woman: 150 Years of English Female Composers
Graham Johnson (piano), Anthony Rolfe Johnson (tenor)
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