Thomas Adès
Born: 1st March 1971, London, England
Nationality: English
Thomas Adès is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).
Read more at https://en.wikipedia.org/wiki/Thomas_Adès
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Further Reading: Adès
Recording of the Week,
Gustavo Dudamel conducts Dante, a new ballet by Thomas Adès
Based on Dante's La Divina Commedia, Thomas Adès's three-part ballet receives a virtuosic performance from the Los Angeles Philharmonic, with music that moves from the grotesque to the sublime, incorporating a touch of Franz Liszt along the way.
Recording of the Week,
Two world premiere recordings of music by Thomas Adès
Thomas Adès conducts the Boston Symphony Orchestra in performances of two of his own works: the Concerto for Piano and Orchestra, and Totentanz.
Popular Genres: Adès
All Works: Adès
- ...but all shall be well (1)
- A monster! (from The Tempest) (1)
- Alchymia (1)
- America: A Prophecy Op. 19 (3)
- Arcadiana (7)
- Ariel's Song (from The Tempest) (1)
- Asyla (5)
- Berceuse (from The Exterminating Angel) (1)
- Blanca Variations (2)
- Brahms Op. 21 (3)
- Cardiac Arrest (2)
- Catch Op. 4 (3)
- Chamber Symphony (3)
- Coffee-Spoon Cavatina (1)
- Concerto Conciso (1)
- Concerto for piano and orchestra (1)
- Court Studies (1)
- Dante (1)
- Darknesse Visible (9)
- Five Eliot Landscapes Op. 1 (2)
- Fools' Rhymes (2)
- Friends, don't fear (from The Tempest) (1)
- Gefriolsae Me op.3b. (1)
- In Seven Days (3)
- January Writ (2)
- Les Baricades Mistérieuses (2)
- Lieux retrouvés (2)
- Life Story Op. 8b (5)
- Living Toys op.9 (2)
- Märchentänze (1)
- Mazurkas for Piano, Op. 27 (6)
- O Albion (2)
- O thou who didst with pitfall and with gin (2)
- Piano Quintet (4)
- Polaris: Voyage for orchestra (3)
- Powder Her Face suite (1)
- Powder Her Face: Concert Paraphrase (4)
- Sola (1)
- Sonata da Caccia op.11 (1)
- Sorcerer, die! (from The Tempest) (1)
- Souvenir (from Colette) (1)
- Still Sorrowing Op. 7 (3)
- Tevot (3)
- The Branch (1)
- The Exterminating Angel (1)
- The Fayrfax Carol (9)
- The Four Quarters (4)
- The Lover in Winter (3)
- The Origin of the Harp op.13 (1)
- The Tempest (1)
- These Premises Are Alarmed (2)
- Three Studies after Couperin (2)
- Totentanz (1)
- Traced Overhead Op. 15 (3)
- Under Hamelin Hill Op. 6 (2)
- Violin Concerto ‘Concentric Paths’ (5)
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