Modular Synthesis: Patching Machines and People
- Editor: Engström, Einar
- Editor: Kitzmann, Andreas
- Editor: Teboul, Ezra J.
Book
$210.75Printed on demand
Contents
- 1. The Buchla Music Easel: From Cyberculture to Market Culture
- 2. Modular Synthesizers as Conceptual Models
- 3. A Time-warped Assemblage as a Musical Instrument: Flexibility and Constauration of Modular Synthesis in Willem Twee Studio
- 4. Interview
- 5. Gordon Mumma’s Sound-Modifier Console
- 6. Artist Statement: Switchboard Modulars - Vacant Levels and Intercept Tones
- 7. Eurorack to VCV Rack: Modular Synthesis as Compositional Performance
- 8. Strange Play: Parametric Design and Modular Learning
- 9. Grid Culture
- 10. Modular Ecologies
- 11. Ourorack: Altered States of Consciousness and Auto-Experimentation with Electronic Sound
- 12. Logics and Rhetorics of Modularity in Electronic Sound
- 13. Draft/patch/weave: Interfacing the Modular Synthesizer with the Floor Loom
- 14. Composing Autonomy in Thresholds and Fragile States
- 15. Virtual Materiality: Simulated Mediation in the Eurorack Synthesizer Format
- 16. Interview: Designing Instruments as Designing Problems
- 17. Interviews with Four Toronto-based Modular Designers
- 18. Interview
- 19. Interview
- 20. Interview
- 21. Modular Synthesis in the Era of Control Societies
- 22. Randomness, Chaos, and Communication
- 23. Interview
- 24. From ‘What If’ to ‘What Diff?’ And Back Again
- 25. Interview: The Mycelia of Does-Nothing Objects