Coming soon. Performing by the Book?: Musical Negotiations between Text and Act

Contents

• Introduction. Musical Texts and Contexts: Stairway to Heaven or Highway to Hell?
• Bruno Forment
• Mind the Gap: Reimagining Incomplete Medieval Music
• Niels Berentsen
• Performing by the Book (Next to the Book You Were Looking For), or: Aby Warburg’s “Good Neighbour”
• Björn Schmelzer
• Pluralising the Musical Text: Improvising on Canonic Repertoire
• Jonathan Ayerst
• À la recherche du chant perdu: The airs sérieux in the Recueils d’airs sérieux et à boire de différents auteurs (1695–99) as a Lens on Vocal Practices in the Seventeenth-Century Parisian Salon
• Elizabeth Dobbin
• From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt’s Evolving Relationship, 1822–57
• Camilla Köhnken
• Nineteenth-Century Texts in the Twenty-First Century
• George Kennaway
• The Flexible Text: Published and Unpublished Alterations to the Schumann Cello Concerto in the Nineteenth Century
• Kate Bennett Wadsworth
• The Romantic Conductor-Scholar: What I Learned from the Archives
• Nir Cohen-Shalit
• Relocating Ravel’s “Sad Birds” in Alternative Forests of Place and Time
• Xiangning Lin
• The Virgin Act: Mediating Supplement and Repetition in Performance
• Clare Lesser
• Online materials
• Notes on Contributors
• Index