Innovation in Music: Cultures and Contexts
- Editor: Gullö, Jan-Olof
- Editor: Hepworth-Sawyer, Russ
- Editor: Paterson, Justin
- Editor: Toulson, Rob
Book
$203.00Printed on demand
Contents
- Part 1 : Creative Production Practice
- 1. Staging Notions of Space: Realising Compositional Intention in 3D and Stereo Record Production
- 2. Exploring Dolby Atmos: Past Present, and Future
- 3. Introducing the Hyper Near-Field Dolby Atmos Tiny Studio
- 4. Rap as Composite Auditory Streams: Techniques and Approaches for Chimericity Through Layered Vocal Production in Hip-Hop, and their Aesthetic Implications
- 5. Exploring the History of Distortion in Drum and Bass
- 6. Dynamic Meta-Spatialization: Narrative and Recontextualization Implications of Spatial Stage Stacking
- 7. Vocal Chops: Another Human/Machine Hybrid
- 8. “Come together, right now...”: Making Remote Multiparty in-the-Box Audio Mixing a Reality
- 9. A Creative Methodology for Self-Production
- 10. Two Production Strategies for Music Synchronisation as Speculative Entrepreneurship
- Part 2 : National and International Perspectives
- 11. Mobile Classical Music – Recording, Innovation, Networks and Mediatization: Three Swedish Case Studies from the 1940s to 2021
- 12. “Culture Produces An Industry”: Production and Promotion Strategies of Campus Song Records by Taiwanese Synco Corporation
- 13. Business Model Innovation in the Music Industry: A Study of European Songwriters Working Towards China’s Market
- 14. Yellow Music in Diaspora: Re-inventing the Sound of pre-1975 Record Production in Sài Gòn
- 15. Innovating Music Experiences – Creativity in Pandemic Times
- 16. Connecting Across Borders: Communication Tools and Group Practices of Remote Music Collaborators
- 17. From Master Pieces to Masterpiece: Source Selection and Reformatting During the Republishing Process of Legacy Music Productions