Participatory Sound Art: Technologies, Aesthetics, Politics
- Author: Keylin, Vadim
Book
$52.75Special import
Contents
- Chapter 1: Introduction
- 1.1 Sound art and participation
- 1.2 Sound, art, music
- 1.3 Participation, interactivity, collaboration
- Chapter 2. Histories
- 2.1 Sound, participation and Gesamtkunstwerk
- 2.2 Sound and participation in historical Avantgarde
- 2.3 Sound and participation in the Post-war Avantgarde
- 2.4 Sound and participation after the Cold War
- 2.5 Interactive audio and digital culture
- Chapter 3. Discourses
- 3.1 Sonic, spatial, social
- 3.2 Sense vs. senses
- 3.3 Sonic pragmatism
- 3.4 Sonic doing: acts and gestures
- 3.5 Creative undergoing: agencies and ecologies
- Chapter 4. Affordances
- 4.1 Sound artworks as platforms
- 4.2 Aesthetic affordances
- 4.3 Technological environments
- 4.4 Beyond the artwork
- 4.5 Materiality and sociality
- Chapter 5. Perspectives
- 5.1 Creative agency
- 5.2 Let Us Sing Your Place
- 5.3 Speaker Sculptures
- 5.4 Perspectives on participation
- Chapter 6. Gestures
- 6.1 Sonic gestures between symbols and actions
- 6.2 Gestures of concern
- 6.3 Gestures of empowerment
- 6.4 Gestures of togetherness
- 6.5 Sounds of the possible
- Chapter 7. Conclusion