Help
Skip to main content
Hamilton, History and Hip-Hop: Essays on an American Musical

Hamilton, History and Hip-Hop: Essays on an American Musical

  • Editor: Wetmore, Kevin J

Book

$70.75

Usually despatched in 5 - 7 working days

Contents

  • Table of Contents
  • Acknowledgments
  • Introduction: Writing, Erasing and Versioning Hamilton
  • Kevin J. Wetmore, Jr.
  • I. “Grow into more of a phenomenon”: Hamilton as History and Cultural Experience
  • The Battle for Hamilton: Then and
  • Michael A. Genovese
  • “Watching the afterbirth of a nation, watching the tension grow”: Meta-Hamilton and the ­Citizen-Artist During Two Presidencies
  • Kevin J. Wetmore, Jr.
  • “This is not a moment, it’s a movement”: Why Millennials Are “Hamiltrash”
  • Vicki L. Hoskins
  • II. “A bunch of revolutionary manumission abolitionists?” Race and Class in Hamilton
  • Hamilton Hype and Hamilton Hate: In Dahomey, A Raisin in the Sun, and a Genealogy of Race in American Popular Theater
  • Megan E. Geigner
  • Parodying Through Song: How Comic Devices in King George III’s Songs in Hamilton Challenge Contemporary Dispositions About the Symbolic Value of Youth Culture
  • Evi Stamatiou
  • “The villain in your history”: The Complications of ­Color-Conscious Casting in Hamilton’s America
  • Laura London Waringer
  • III. “Who tells your story?” Exclusive Inclusivity and Whose Story Gets Told
  • “A woman who has never been satisfied”: A Feminist Critique of Hamilton
  • Alexa Schreiber
  • “Compel him to include female agency in the sequel,” or Gender Construction in Hamilton
  • Lisa Quoresimo
  • “Here comes the general”: An Examination of the Depiction of the African American Man as the Father of America in Hamilton
  • Aaron Brown
  • IV. “Even though we started at the very same time…” Comparative Hamiltons
  • “You hear that music in the air?” Consciousness of Music in In the Heights and Hamilton
  • Dan Rubins
  • Contextualizing ­Lin-Manuel Miranda’s In the Heights and Hamilton Within ­Hip-Hop Theater History
  • Priscilla Maria Page
  • Race, Casting, and Politics: A Comparative Study of ­Lin-Manuel Miranda’s Hamilton and Katori Hall’s The Mountaintop
  • Anne Stefani
  • “Everybody’s got the right to their dreams”: The Violent Pursuit of the American Dream in Assassins and Hamilton
  • Stephanie Lim
  • White Supremacy and ­Hyper-Masculinity: Hamilton, Hip-Hop and Homicide
  • Alisa C. Roost
  • Conclusion: A Hamilton Evolution
  • Daniel Banks
  • Works Cited
  • About the Contributors
  • Index