Musical Collaboration Between Indigenous and Non-Indigenous People in Australia: Exchanges in The Third Space

Contents

• Foreword, A third space - a sacred space
• Deline Briscoe
• Introduction
• Katelyn Barney (The University of Queensland)
• Black fulla, White fulla: Can there be a truly balanced collaboration?
• Lou Bennett (The University of Melbourne)
• Rock band: A third, brave space for Indigenous language
• Clint Bracknell (The University of Queensland)
• Theorising ganma: Yothu Yindi and third-space musical collaborations
• Aaron Corn (The University of Melbourne)
• Call to Yawahr: Opening a third space for collaborative music making between Indigenous and non-Indigenous communities
• Candace Kruger (The University of New South Wales)
• One Mob Dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales
• Robin Ryan Cruse and Uncle Ossie Cruse (Edith Cowan University)
• Indigenous music and cultural engagement: Listening with our ears and hearts
• Dawn Joseph and Yin Paradies (Deakin University)
• Finding Solid Ground: Industry collaboration and mentoring Aboriginal and Torres Strait Islander students in secondary schools
• Thomas Fienberg and Debbie Higgison (The University of Sydney)
• Adventures in the third space of intra-Indigenous recording projects: Is border-crossing a bridge or a barrier?
• Karl Neuenfeldt (Murdoch University)
• In the borders and borderlands of coloniality with Helene Cixous and Gloria Anzaldua: An ethnomusicological theory-story of intercultural music-making
• Elizabeth Mackinlay (Southern Cross University)