Indigenous African Popular Music, Volume 1: Prophets and Philosophers
- Editor: Fadipe, Israel A.
- Editor: Salawu, Abiodun
Book
$180.75Special import
Contents
- Chapter 1 :
- Introduction Indigenous African Popular Music.- SECTION A: THE NATURE, PHILOSOPHIES AND GENRES OF INDIGENOUS AFRICAN POPULAR MUSIC.-
- Chapter 2 : Indigenous and modern Zimbabwean music: Reflections from Thomas Mapfumo's Chimurenga music genre.-
- Chapter 3 : Rhythmic signifying in popular Venda music.-
- Chapter 4 : Baansi ni Yila: A critical history of the music industry in Northern Ghana.-
- Chapter 5 : Indigenous and Indigenised Yoruba Popular Music.-
- Chapter 6 : Social Cognition and Advertisement in Yusuf Olatunji's Music.-
- Chapter 7 : Exploring the value systems embedded in indigenous Yoruba music genres and Yoruba nursery rhymes.-
- Chapter 8 : Cultural Frames: Socio-Cultural Metaphors in Owerri-Igbo Bongo Music.-
- Chapter 9 : Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization & Contradictions: Discourse Narrative.-
- Chapter 10 : Dung Chollom and Berom Ethnic Popular Music.- SECTION B: INDIGENOUS AFRICAN POPULAR MUSIC ARTISTES AS PROPHETS AND PHILOSOPHERS.-
- Chapter 11 : Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura's Music.-
- Chapter 12 : Forewarned is forearmed: Exploring the apocalyptic voice of popular music in the post-colonial Zimbabwe.-
- Chapter 13 : Reeling Nostalgia: 'Aremote' and the enduring Sakara music in Nigeria.-
- Chapter 14 : Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour).-
- Chapter 15 : Yoruba Socio-Cultural Norms and Values in Selected Songs of Bukola Elemide (Asa).-
- Chapter 16 : Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation.- SECTION C: INDIGENOUS AFRICAN POPULAR MUSIC AND THE WORLD.-
- Chapter 17 : Valodia: A Transatlantic Praise Song.-
- Chapter 18 : The adaptation of Zimbabwean mbira dzavadzimu music, from traditional to modern popular band format; the case of Thomas Mapfumo.-
- Chapter 19 : Macheso's Sungura and Social identity narratives in Postcolonial Zimbabwe.-
- Chapter 20 : "One Beat, One Pound" - Kasumu Isola Sanni: The Sakara Master Drummer.-
- Chapter 21 : When Culture and Tradition Aren't Archaic: The Song Semantics of Zimbabwean Mbira's International Appeal.