Researching Live Music: Gigs, Tours, Concerts and Festivals
- Editor: Anderton, Chris
- Editor: Pisfil, Sergio
Book
$210.75Printed on demand
Contents
- List of figures and tables
- Acknowledgments
- List of contributors
- Live Music Studies in Perspective
- Chris Anderton and Sergio Pisfil
- PART I: Promotion
- Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
- Steve Waksman
- "As Long As They Go Home Safe": The Voice of the Independent Music Festival Promoter
- Danny Hagan
- Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
- Pat O'Grady
- Showcase Festivals as a Gateway to Foreign Markets
- Patryk Galuszka
- Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
- Chris Anderton
- PART II: Production
- Live Sound Matters
- Christopher Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder
- Mobile Spectacle: Es Devlin's Pandemonium Tour Design
- Glyn Davis
- Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour's Supply Chain
- Gabrielle Kielich
- Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
- Kimi Karki
- Part III: Consumption
- Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
- Loic Riom
- Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
- Kenny Forbes
- Live ... as You've Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
- Andy Bennett
- Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
- Stephen Loy
- Part IV: Policy
- Music Cities, or Cities of Music?
- Christina Ballico and Dave Carter
- State of Play: Tensions and Interventions in Live Music Policy
- Adam Behr
- "Por Mas Musicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
- Sarah Lahasky
- Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy
- Gerome Guibert, Michael Spanu, and Catherine Rudent
- Index