Musical Belongings: Selected Essays
- Author: Middleton, Richard
Book
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Contents
- Contents: Introduction
- Selected bibliography
- All shook up? Innovation and continuity in Elvis Presley's vocal style
- Articulating musical meaning/reconstructing musical history/locating the popular
- Authorship, gender and the construction of meaning in the Eurythmics' hit recordings
- The 'problem' of popular music
- Were the Rockers right? Revolution and legitimation in British pop music of the 1960s
- Musical belongings: Western music and its low-other
- Work-in(g)-practice: configurations of the popular music intertext
- Locating the people: music and the popular
- Performing culture, appropriating the phallus
- The real thing? The spectre of authenticity in modern musical thought
- 'Last night a DJ saved my life': avians, cyborgs and gendered bodies in the era of phonographic technology
- O Brother, let's go down home: loss, nostalgia and the Blues
- Mum's the word: men's singing and maternal law
- Global, national, local: or, a hysteric's account of negative dialectics
- Jazz: music of the multitude?
- Vox populi, vox dei or, imagine, I'm losing my religion (hallelujah!): musical politics after God
- Index.