Sound Work: Composition as Critical Technical Practice
- Editor: Impett, Jonathan
Book
$82.75Out of stock at the UK distributor
Contents
- Introduction: Music-Making and Storytelling
- Jonathan Impett
- Too Cool to Boogie: Craft, Culture, and Critique in Computing Alan F. Blackwell
- Illusions of Form David Rosenboom
- What to Ware? A Guide to Today’s Technological Wardrobe Nicolas Collins
- Toward a Critical Musical Practice Ann Warde
- The Composer’s Domain: Method and Material Nicholas Brown
- Dissociation and Interference in Composers’ Stories about Music: The Renewal of Musical Discourse Jonathan Impett
- Plates
- The Impossibility of Material Foundations Scott McLaughlin
- Thinking Liveness in Performance with Live Electronics: The Need for an Eco-systemic Notion of Agency Agostino Di Scipio
- Experiment and Experience: Compositional Practice as Critique Lula Romero
- Designing the Threnoscope or, How I Wrote One of My Pieces Thor Magnusson
- A Few Reflections about Compositional Practice through a Personal Narrative Daniela Fantechi
- Temporal Poetics as a Critical Technical Practice Karim Haddad
- Collaborative Creation in Electroacoustic Music: Practices and Self-Awareness in the Work of Musical Assistants Marino Zuccheri, Alvise Vidolin, and Carl Faia Laura Zattra
- Parlour Sounds: A Critical Compositional Process towards a Cyberfeminist Theory of Music Technology Patricia Alessandrini and Julie Zhu
- Changing the Vocabulary of Creative Research: The Role of Networks, Risk, and Accountability in Transcending Technical Rationality Ambrose Field
- Designing Audience–Work Relationships Marko Ciciliani
- Online Materials Notes on Contributors Index