Recomposing the Past: Representations of Early Music on Stage and Screen
- Editor: Cook, James
- Editor: Kolassa, Alexander
- Editor: Whittaker, Adam
Book
$59.75Printed on demand
Contents
- Introduction Understanding the Present through the Past; the Past through the Present James Cook, Alexander Kolassa, and Adam Whittaker
- Part 1 : Authenticity, Appropriateness, and Recomposing the Past
- Chapter 1 : Representing Renaissance Rome: Beyond Anachronism in Showtimes The Borgias (2011) James Cook
- Chapter 2 : Baroque a la Hitchcock: The Music of Dangerous Liaisons (1988) Mervyn Cooke
- Chapter 3 : 'Frame not my Lute': The Musical Tudor Court on the Big Screen Daniela Fountain
- Chapter 4 : It Ain't Over 'til King Arthur Sings: English Dramatick Opera on the Modern Stage Katherina Lindekens
- Part 2 : Music, Space, and Place: Geography as History
- Chapter 5 : Musical Divisions of the Sacred and Secular in ' The Hunchback of Notre Dame' Adam Whittaker
- Chapter 6 : Celtic Music and Hollywood Cinema: Representation, Stereotype, and Affect Simon Nugent
- Chapter 7 : David Munrow's 'Turkish Nightclub Piece' Edward Breen
- Chapter 8 : Little Harmonic Labyrinths: Baroque Musical Style on the Nintendo Entertainment System William Gibbons
- Part 3 : Presentness and the Past: Dialogues between Old and New
- Chapter 9 : Presentness and the Past in Contemporary British Opera Alexander Kolassa
- Chapter 10 : Angels in the Archive: Animating the Past in ' Written on Skin' Maria Ryan
- Chapter 11 : Werner Herzog and the Filmic Dark Arts: Myth, Truth, Music, and the Life of Carlo Gesualdo (1566-1613) Philip Weller
- Chapter 12 : Medievalism, Music, and Agency in The Wicker Man (1973) Lisa Colton
- Chapter 13 : Music in Fantasy Pasts: Neomedievalism and ' Game of Thrones' James Cook, Alexander Kolassa, and Adam Whittaker