Cultural Mapping and Musical Diversity
- Editor: Ross, Sarah M.
- Editor: Sweers, Britta
Book
$40.50Special import
Contents
- Preface and
- Acknowledgements
- Introduction Cultural Mapping and Musical Diversity Britta Sweers and Sarah M. Ross
- PART I : The Method of Cultural Mapping
- Introduction Britta Sweers
- Chapter 1 Kulturkreise, Culture Areas, and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today Marcello Sorce Keller, Independent Scholar
- Chapter 2 Mancunian Irish: Identity, Cultural Intimacy, and Musical Hybridization-Urban Ethnomusicology and Cultural Mapping Svend Kjeldsen, University of Limerick
- Chapter 3 Dying Language, Multi-Identity, and Music for the Young Pekka Suutari, University of Eastern Finland
- Chapter 4 Mapping "Inconvenient" Music Heritage Ana Hofman, Slovenian Academy of Sciences and Arts
- PART II : Cultural Landscape and Music
- Introduction Britta Sweers
- Chapter 5 Landscapes and Flower Songs: Proposing the Hypothesis of Agriculturalist-Pastoralist Coalescence as the Origin of Hua'er Festivals Lukas Park, Independent Scholar
- Chapter 6 Climate and Environment in Idelsohn's History of Hebrew Music Shai Burstyn, Tel Aviv University (retired)
- Chapter 7 Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage Thomas Solomon, University of Bergen
- Chapter 8 "The Space of the Gong Culture in the Central Highlands of Vietnam": Old and New Directions in Ede Traditional Music Vincenzo della Ratta, Centre Asie du Sud Est
- PART III : The Politics of Intangible Cultural Heritage
- Introduction Sarah M. Ross
- Chapter 9 Historical Voices Reloaded: Rethinking Archival Responsibilities in Relation to Intangible Cultural Heritage Gerda Lechleitner, Austrian Academy of Sciences
- Chapter 10 Intangible Cultural Heritage and Policy Making in Poland Marzanna Poplawska, University of Wroclaw
- Chapter 11 Mapping and Representing Musical Diversity in Switzerland: The Role of Artists, Ethnomusicologists, and Officials Marc-Antoine Camp (Lucerne University of Applied Sciences and Arts), Brigitte Bachmann-Geiser (University of Music, Vienna), Davi
- Chapter 12 Tracing the Minhag Ashkenaz in Swiss Synagogue Music: Advocates of Intangible Cultural Heritage Meet Agents of Cultural Sustainability Sarah M. Ross
- PART IV : Intangible Cultural Heritage: Case Studies
- Introduction Sarah M. Ross
- Chapter 13 Flamenco for Andalusia, Flamenco for Humanity: Regionalization and Intangible Cultural Heritage in Spain Matthew Machin-Autenrieth, University of Cambridge
- Chapter 14 Questioning Safeguarding: Heritage and Capabilities at Jemaa el Fnaa Square, Morocco Thomas Beardslee, Independent Scholar
- Chapter 15 The Verbunk under the Impact of World Fame Zuzana Jurkova, Charles University Prague