Innovation in Music: Performance, Production, Technology, and Business
- Editor: Hepworth-Sawyer, Russ
- Editor: Hodgson, Jay
- Editor: Paterson, Justin
- Editor: Toulson, Rob
Book
$195.50Printed on demand
Contents
- PART ONE PERFORMANCE
- 1 Transforming Musical Performance: The Audience as Performer
- ADRIAN YORK
- 2 Using Electroencephalography to Explore Cognitive-Cultural Networks and Ecosystemic Performance Environments for Improvisation
- TIM SAYER
- 3 Press Play on Tape: 8-Bit Composition on the Commodore 64
- KENNY MCALPINE
- 4 Composing With Microsound: An Approach to Structure and Form When Composing for Acoustic Instruments With Electronics
- MARC ESTIBEIRO
- 5 Defining and Evaluating the Performance of Electronic Music
- JENN KIRBY
- 6 Perspectives on Musical Time and Human-Machine Agency in the Development of Performance Systems for Live Electronic Music
- PAUL VANDEMAST-BELL AND JOHN FERGUSON
- 7 Visual Agency and Liveness in the Performance of Electronic Music
- TIM CANFER
- 8 Liveness and Interactivity in Popular Music
- SI WAITE
- 9 How Algorithmic Composition Prompts Innovative Movement Design in Full-Body Taiko Drumming
- STU LAMBERT
- PART TWO PRODUCTION
- 10 Collective Creativity: A 'Service' Model of Commercial Pop Music Production at PWL in the 1980s
- DR. PAUL THOMPSON AND DR. PHIL HARDING
- 11 Mix and Persona: Analyzing Rejected Mixes
- DAN SANDERS
- 12 Mixing Beyond the Box: Analyzing Contemporary Mixing Practice
- ALEX STEVENSON
- 13 Optimizing Vocal Clarity in the Mix
- KIRSTEN HERMES
- 14 Plugging In: Exploring Innovation in Plugin Design and Utilization
- ANDREW BOURBON
- 15 Mixing and Recording a Small Orchestral Ensemble to Create a Large Orchestral Sound
- JENNA DOYLE
- 16 Committing to Tape: Questioning Progress Narratives in Contemporary Studio Production
- JOE WATSON
- PART THREE TECHNOLOGY
- 17 Harnessing Ancillary Microgestures in Piano Technique: Implementing Microgestural Control Into an Expressive Keyboard-Based Hyper-Instrument
- NICCOLO GRANIERI , JAMES DOOLEY AND TYCHONAS MICHAILIDIS
- 18 MAMIC Goes Live: A Music Programming System for Non-specialist Delivery
- MAT DALGLEISH AND CHRIS PAYNE
- 19 Interaction-Congruence in the Design of Exploratory Sonic Play Instruments With Young People on the Autistic Spectrum
- JOE WRIGHT
- 20 Translating Mixed Multichannel Electroacoustic Music With Acoustic Soloist to the Personal Stereophonic Listening Space: A Case Study in Jorge Gregorio Garcia Moncada's La Historia de Nosotros
- SIMON HALL
- 21 Score Scroll: Replacing Page-Based Notation With a Technology-Enhanced Solution in Composition and Performance
- BARTOSZ SZAFRANSKI
- 22 Everything Is Musical: Creating New Instruments for Musical Expression and Interaction With Accessible Open-Source Technology-The Laser Room and Other Devices
- ALAYNA HUGHES AND PIERLUIGI BARBERIS FIGUEROA
- 23 The Impact of a Prototype Acoustically Transparent Headphone System on the Recording Studio Performances of Professional Trumpet Players
- ANDY COOPER AND NEIL MARTIN
- 24 Evaluating Analog Reconstruction Performance of Transient Digital Audio Workstation Signals at High and Standard-Resolution Sample Frequencies
- ROB TOULSON
- 25 Acoustic Transmission of Metadata in Audio Files Using Sonic Quick Response Codes (SQRC)
- MARK SHEPPARD , ROB TOULSON AND JOERG FACHNER
- PART FOUR BUSINESS
- 26 Can Music Samples Be Cleared More Easily? Development of an Automated Process to Clear Music Samples for Legal Creative Reuse
- STEPHEN PARTRIDGE
- 27 (Re)Engineering the Cultural Object: Sonic Pasts in Hip-Hop's Future
- MICHAIL EXARCHOS (A.K.A. STEREO MIKE)
- 28 Anticipating the Cryptopirate: "Don't Bury Treasure" and Other Potential Preventative Measures
- PATRICK TWADDLE
- 29 Disruption as Contingency: Music, Blockchain, Wtf?
- MATTHEW LOVETT
- 30 Can I Get a Witness? The Significance of Contracts in an Age of Musical Abundance
- SALLY ANNE GROSS
- 31 The End of a Golden Era of British Music? Exploration of Educational Gaps in the Current UK Creative Industry Strategy
- CAROLA BOEHM