Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg

Contents

• Preface
• Introduction
• Part I : Figured Bass and Harmonic Theory in Vienna During the First Half of the Nineteenth Century
• 1. Eighteenth-Century Theory in Nineteenth-Century Vienna
• 2. Foreign Influences on Viennese Harmonic Theory
• 3. The Viennese Treatises of the First Half of the Nineteenth Century
• Part II : Simon Sechter and the Fundamental Bass
• 4. Sechter's First Theoretical Works; the Grundsätze
• 5. The Fundamental Bass
• 6. The Extension of the Fundamental
• 7. Progression in Minor; Chromatic Progression
• 8. Sechter's System of Harmony: Its Methodological Basis and Historical Origins
• Part III : Viennese Fundamental Bass Theory in the Second Half of the Century
• 9. Anton Bruckner, the Leading Apostle of Sechter's Teachings
• 10. "Romantic Harmony" and the Fundamental Bass
• 11. Sechter's System at the End of the Century
• Part IV : The Influence of Viennese Fundamental Bass Theory at the Beginning of the Twentieth Century
• 12. Systems of Harmony at the Beginning of the Century
• 13. Viennese Fundamental Bass Theory and the German Function Theory: A Synthesis
• 14. The Viennese Reaction: Schenker and Schoenberg Notes
• Bibliography Name
• Index Subject
• Index