Contents
- Table of Contents
- Foreword: What Composers on Screen Can Do for Us (Russell Jackson)
- Introduction (Paul Fryer)
- Composers on Screen and on Stage: A Comparison (Daniel Meyer-Dinkgräfe)
- Orpheus in the Movie World: Offenbach on Film (Laurence Senelick)
- Dance of the Seven Veils (Pierre Bellemare)
- Verdi: A Life in Three Movies (Paul Fryer)
- Sisters of Faith and Genius: Hildegard von Bingen and Nannerl Mozart
- (Carmen Gorgichuk)
- Le Roi danse (The King Dances) (Pierre Bellemare)
- Hagiography or Realism? Wagner Bio-Pics (F. Jane Schopf)
- Staging Gender and Genius in James Lapine’s Impromptu (Lindsay Brandon Hunter)
- Picturing the Cradle: Blitzstein as Memory, Blitzstein as Comedy (John Patrick Bray)
- Cole Porter’s Fabulous Film Lives: Night and Day and De-Lovely (Ellen M. Peck)
- La Symphonie fantastique (Pierre Bellemare)
- Robert Schumann: A Double Vision (John C. Tibbetts)
- All That Jazz: George Gershwin, American Mythology and Rhapsody in Blue (1945) (Samuel J. Umland)
- Elgar and Delius (Nesta Jones)
- Picturing the Composer (Gary Yershon)
- About the Contributors
- Index