The Cambridge History of Medieval Music 2 Volume Hardback Set
- Editor: Everist, Mark
- Editor: Kelly, Thomas Forrest
In two volumes containing thirty-nine essays, The Cambridge History of Medieval Music addresses central concerns: theoretical systems, the work concept, genre, practice, analysis, interpretation,... — More…
Book
$284.50Contents
- Volume 1:
- 1. Musical legacies from the ancient world Peter Jeffery;
- 2. Origins and transmission of Franco-Roman chant Andreas Pfisterer;
- 3. Sources of Romano-Frankish liturgy and music Joseph Dyer;
- 4. Regional liturgies: Spanish, Beneventan, Gallican, Milanese Terence Bailey;
- 5. Nova cantica Jeremy Llewellyn;
- 6. Music and prosopography Margot Fassler;
- 7. The silence of medieval singers Benjamin Bagby and Katarina Livljanic;
- 8. Notation I Thomas Kelly;
- 9. Tropes Andreas Haug;
- 10. Sequence Lori Kruckenburg;
- 11. Music theory Thomas Christensen;
- 12. Vernacular song: lyric Elizabeth Aubrey;
- 13. Vernacular song: romance Anne Ibos-Auge;
- 14. Instruments and their music Nigel Wilkins;
- 15. Teaching and learning music Anna-Maria Busse Berger;
- 16. Music in drama David Klausner;
- 17. The sources Stanley Boorman;
- 18. The revival of medieval music John Haines;
- 19. Medieval performance practice Timothy McGee;
- 20. Issues in the modern performance of medieval music John Potter; Volume 2:
- 21. Institutions and foundations Alejandro Planchart;
- 22. Notation II Lawrence Earp;
- 23. Rhythm and metre John Caldwell;
- 24. Tonal organisation in polyphony, 1150-1400 Peter Lefferts;
- 25. Liturgy and plainchant, 1150-1570 Peter Lefferts and Roman Hankeln;
- 26. Early polyphony James Grier;
- 27. Notre Dame Edward Roesner;
- 28. Liturgical polyphony after 1300 Karl Kugle;
- 29. The emergence of polyphonic song Mark Everist;
- 30. Vernacular song: polyphony Elizabeth Eva Leach;
- 31. The thirteenth-century motet Rebecca Baltzer;
- 32. The fourteenth-century motet Alice Clark;
- 33. Latin song I: songs and songbooks from the ninth to the thirteenth century Helen Deeming;
- 34. Latin song II: the music and texts of the conductus Thomas Payne;
- 35. Trecento I: secular music Michael Cuthbert;
- 36. Trecento II: sacred music and motets in Italy and the East from 1300 until the end of the schism Michael Cuthbert;
- 37. Ars subtilior Anne Stone;
- 38. Citational practice in the later Middle Ages Yolanda Plumley;
- 39. 'Medieval music' or 'early European music'? Reinhard Strohm.