Book
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Contents
- Introduction Julian Johnson and Erling E. Guldbrandsen;
- Part I . Rethinking Modernism:
- 1. The lure of the sublime: revisiting the modernist project Susan McClary;
- 2. Return of the repressed: particularity in early and late modernism Julian Johnson;
- 3. Expressionism revisited: modernism beyond the twentieth century Arnold Whittall;
- 4. Erik Bergman, cosmopolitanism and the transformation of musical geography Bjoern Heile;
- 5. Sharing a stage: the growing proximity between modernism and popular music David Metzer;
- Part II . Rewriting Modernism:
- 6. Ritual and Eros in James Dillon's Come live with me Michael Cherlin;
- 7. Montage in modernity: scattered fragments, dynamic fragments Jean-Paul Olive;
- 8. Transformations of appearance: suddenness and the modernist fragment Marion Hestholm;
- 9. Rethinking Boulez: schemes, logics and paradigms of musical modernity Edward Campbell;
- 10. Remembrance and prognosis in the music of Gyoergy Ligeti Peter Edwards;
- 11. Valentin Silvestrov and the symphonic monument in ruins Samuel Wilson;
- Part III . Replaying Modernism:
- 12. Playing with transformations: Boulez's Improvisation III sur Mallarme Erling E. Guldbrandsen;
- 13. Performance as critique Arnulf Christian Mattes;
- 14. 'Unwrapping' the voice: Cathy Berberian and John Cage's Aria Francesca Placanica;
- 15. Radically idiomatic instrumental practice in works by Brian Ferneyhough Anders Forisdal;
- 16. The ethics of performance practice in complex music after 1945 Tanja Orning.