Book
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Contents
- Contents: Introduction and background: Some preliminary points and definitions
- The balance of Continental and English sources: Art
- Religion
- Science
- General histories of music
- Musicology through the arts: Music and painting: William Crotch
- Music and architecture: Ruskin and one of his interpreters
- Music as imitation: Jones, Goddard, Wylde and Garbett
- Music as language and poetry: Turnpin, Banister, Prescott and Osbourne
- Music images: MacFarren and Wallace
- Musicology through religion: Music is God: Pugin and Formby
- Music's divine origin: Jebb and Young
- Divinity in some general histories of music: Brown and Dickinson
- Music and mysticism: Edwards and Newton
- Musicology through science: Basic technical books and their definitions of science: Reeves, Brown and Cook
- The principal evolutionary theorists: Spencer and Darwin
- Writers on music influenced by evolution: Edmund Gurney, Joseph Goddard, C. Hubert H. Parry, William Wallace
- Addendum: J. Alfred Johnstone and evolutionary anti-evolutionism
- General histories of music: Musical imperialism in general and national histories
- Primitive music as a mirror of the present: Rowbotham and Wallascheck
- Issues concerning the balance of narrative and metaphor
- Bibliography
- Index.