Flamenco: Conflicting Histories of the Dance
- Author: Hayes, Michelle Heffner
an informative contribution to the growing field of flamencology. The author offers a unique approach to the field of study —
Book
$33.00Contents
- Table of Contents
- Acknowledgments
- Introduction: Flamenco’s Exotic Currency
- 1. DESIRING NARRATIVES: FLAMENCO IN HISTORY AND FILM
- Conflicting Histories
- Origin Points
- Romantic Excursions
- La Edad de Oro/The Golden Age
- Transformation Abroad and Tourism at Home
- Purity and Preservation
- The Ideology of Flamenco Histories
- The Desiring Subject
- A Choreographic In(ter)vention
- Film Narrative as a Discourse of Desire
- 2. PURISM, TOURISM AND LOST INNOCENCE
- Flamenco Bodies: Essence or Effect?
- International Exposure
- Model Exotics
- Paradise Lost
- The Taint of Tourism
- 3. IMAGINING ANDALUSIA
- Divine Inspiration: Origins Reconsidered
- Passionate Nature: The Academic Appeal of a Universal Humanity
- Sober Clinicism: Demystifying the Other
- (Re)discovering the Women in Cante
- 4. FATAL FILMIC FLAMENCAS
- The Spectre of Carmen
- That Obscure Object of Desire (1977)
- Marked: The Character of La Novia in Blood Wedding (1981)
- Carmen Revisited (1983)
- Love, the Magician (1986)
- 5. REALISM REINVENTED
- The Documentary and Nacionalflamenquismo 124
- Sevillanas (1992) and Flamenco (1995)
- Opening Credits (Sevillanas)
- Opening Credits (Flamenco)
- The Performances (Sevillanas)
- The Performances (Flamenco)
- Sevillanas Flamencas, Sevillanas Gitanas
- Endings: Sevillanas
- Endings: Flamenco
- Flamenco Women (1997)
- 6. REINTERPRETING THE EXOTIC
- Calculated Unruliness
- Strategic Presence
- Practiced Spontaneity
- The Dancing Lesson (Anaheim, California, 1995)
- The Problem of Improvisation/Giving Up the Ghost
- Rising from the Ashes: Spain’s Position in the New World Order
- 7. “SOMOS ANTI-GUAPAS”—AGAINST BEAUTY IN CONTEMPORARY FLAMENCO
- Belén Maya
- Pastora Galván
- Rocío Molina
- Chapter Notes
- Bibliography
- Index