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Flamenco: Conflicting Histories of the Dance

  • Author: Hayes, Michelle Heffner
an informative contribution to the growing field of flamencology. The author offers a unique approach to the field of study

Book

$33.00

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Contents

  • Table of Contents
  • Acknowledgments     
  • Introduction: Flamenco’s Exotic Currency     
  • 1. DESIRING NARRATIVES: FLAMENCO IN HISTORY AND FILM     
  • Conflicting Histories     
  • Origin Points     
  • Romantic Excursions     
  • La Edad de Oro/The Golden Age     
  • Transformation Abroad and Tourism at Home
  • Purity and Preservation     
  • The Ideology of Flamenco Histories     
  • The Desiring Subject     
  • A Choreographic In(ter)vention     
  • Film Narrative as a Discourse of Desire     
  • 2. PURISM, TOURISM AND LOST INNOCENCE     
  • Flamenco Bodies: Essence or Effect?     
  • International Exposure     
  • Model Exotics     
  • Paradise Lost     
  • The Taint of Tourism     
  • 3. IMAGINING ANDALUSIA     
  • Divine Inspiration: Origins Reconsidered     
  • Passionate Nature: The Academic Appeal of a Universal Humanity     
  • Sober Clinicism: Demystifying the Other     
  • (Re)discovering the Women in Cante     
  • 4. FATAL FILMIC FLAMENCAS     
  • The Spectre of Carmen     
  • That Obscure Object of Desire (1977)     
  • Marked: The Character of La Novia in Blood Wedding (1981)     
  • Carmen Revisited (1983)     
  • Love, the Magician (1986)     
  • 5. REALISM REINVENTED     
  • The Documentary and Nacionalflamenquismo 124
  • Sevillanas (1992) and Flamenco (1995)     
  • Opening Credits (Sevillanas)
  • Opening Credits (Flamenco)     
  • The Performances (Sevillanas)     
  • The Performances (Flamenco)     
  • Sevillanas Flamencas, Sevillanas Gitanas     
  • Endings: Sevillanas     
  • Endings: Flamenco     
  • Flamenco Women (1997)     
  • 6. REINTERPRETING THE EXOTIC     
  • Calculated Unruliness     
  • Strategic Presence     
  • Practiced Spontaneity     
  • The Dancing Lesson (Anaheim, California, 1995)
  • The Problem of Improvisation/Giving Up the Ghost     
  • Rising from the Ashes: Spain’s Position in the New World Order     
  • 7. “SOMOS ANTI-GUAPAS”—AGAINST BEAUTY IN CONTEMPORARY FLAMENCO
  • Belén Maya     
  • Pastora Galván     
  • Rocío Molina     
  • Chapter Notes     
  • Bibliography     
  • Index