Contents
- Introduction
- 1. A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
- 2. Dialectical opposition in Schoenberg's music and thought
- 3. Dramatic conflict in Pelleas und Melisande
- 4. Motive and memory in Schoenberg's First String Quartet
- 5. Uncanny expressions of time in the music of Arnold Schoenberg
- 6. The tone row as the source of dramatic conflict in Moses und Aron
- 7. The String Trio: metaleptic Schoenberg
- Notes
- Bibliography
- Indexes.