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Contents
- General introduction
- Part I . Analysis of Fugue:
- Introduction
- 1. J.-J. de Momigny: 'Double Fugue [Handel: Fugue from Harpsichord Suite No. 6 in F# minor]' (1805)
- 2. A. Reicha: 'Fruitful Method of Analysing a Piece of Music with Respect to Harmony' (?1816-18)
- 3. M. Hauptmann: Elucidations of Johann Sebastian Bach's 'Art of Fugue' (1841)
- 4. S. Sechter: 'Analysis of the Finale of Mozart's Symphony No. [41] in C [K551 ('Jupiter')] [1843]
- 5. S. W. Dehn: 'Three-part Fugue [Bk I No. 6 in D minor] from J. S. Bach's Well-tempered Clavier' (1858)
- 6. H. Riemann: 'Prelude and Fugue in Bb minor, Bk II No. 22 [from J. S. Bach's Well-tempered clavier]' (1890)
- Part II . Technical Analysis of Form and Style:
- Introduction
- 7. G. J. Vogler: '[prelude] No. 8 [in D minor from Vogler's Thirty-two Preludes]' (1806)
- 8. A . Reicha: 'Aria ['Non so piu'] from Mozart's The Marriage of Figaro' (1814)
- 9. A. Reicha: 'Analysis [of Reicha?: Andante for Wind Quintet in G] with Respect to Thematic Development' (1826)
- 10. G. Weber: 'A Particularly Remarkable Passage in a String Quartet in C by Mozart [K465 ('dissonance')]' (1832)
- 11. C. Czerny: 'Harmonic Groundwork of Beethoven's Sonata [No. 21 in C] Op. 53 [('Waldstein')]' (c. 1832-4)
- 12. J. C. Lobe: 'First-movement Form in the String Quartet [: Beethoven: Op. 18 no. 2 in G: Allegro]' (1850)
- 13. K. Mayrberger: The Harmonic Style of Richard Wagner, Elucidated with Respect to the Leitmotifs of 'Tristan and Isolde' (1881)
- Part III . The Classification of Personal Style:
- Introduction
- 14. G. Baini: [The ten styles of Palestrina] (1828)
- 15. A. D. Ulibishev: '[Mozart's] String Quarters dedicated to Haydn' (1843)
- 16. Four essays on the styles of Beethoven's music: (a) J. A. Schlosser: 'Critical Assessment of Beethoven's Works' (1828)
- (b) F.-J. Fetis: [The three periods of Beethoven's music] (1837)
- (c) W. von Lenz: 'Beethoven's Three Styles' (1852)
- (d) A. D. Ulibishev: 'Beethoven's Three Manners' (1857)
- Appendix. (a) Hanel: Suite No. 6: 3. Allegro (Fugue)
- (b) G. J. Vogler: Prelude no. 8
- (c) Reicha: Andante for Wind Quintet (keyboard reduction).